The Mayan calendar was used by prominent figures like the High Priests, the Kings and Queens. It was strategic in keeping time track of special occasions and events that were yet to come.
This oil painting is among the most popular during the era of Catholic Counter-Reformation. It brings back the focus of religious entities and Jesus Christ. The main focus of the piece is Jesus and the faces of the people mourning him. Their faces are filled with sadness as they hold up their savior. Jesus is shown with no blood which takes away the gory aspect of his death. Jesus is painted with a less-than-life skin color which suggests that this focuses on the time of his crucifixion and death.
The High Priest is known as the main communicator to the gods. He is seen sacrificing a jaguar in front of the crowd. This sacrifice is made in hopes pleasing the almighty and bringing more nourishment to the people in return.
The piece depicts Saint Peter practicing the act of confession. The background shows darkness as Peter is the main focus of this piece. He is shown with the keys of heaven around his waist. He is depicted with tears in his eyes and his hands together in prayer. The piece became popular during the era of Catholic Counter-Reformation because it depicts the act of confession and symbolizes the deep, emotional connection between Christ and his followers.
The painting is displayed as a ceiling in II Gesu, Rome. The painting depicts the themes of light versus darkness, good versus evil, and the lightness and goodness of God. It shows ascending figures which reference those who choose to let God in to their lives as well as damned figures in the shadows who are not shown in the light of God.
Giovanni Bernini's marble sculpture titled "Ecstasy of Saint Teresa" can be found as a center piece at the Cornaro Chapel in Rome. The sculpture depicts the Spanish nun and mystic, Saint Teresa of Avila, and a religious ecstasy as told in her autobiography. The piece emphasizes Saint Teresa's pleasure in worshipping Christ.
Mayan Moon Goddes Ixchel, seen as an elderly women who is holding a rabbit on her lap. This depiction comes from a Cylinder vase that is displayed in the Museum of Fine Arts Boston.